Colour, Tone and texture.

Posted by Ivan Grieve on

 

Considering  the roles of colour, tone and texture in visual art from the point of view of the artist and then the viewer, is what we shall look at here.

Colour, tone, and texture are elemental components of visual art that significantly influence both the creation and reception of an artwork. Understanding their roles from the perspectives of the artist and the viewer reveals the depth of interaction within the visual arts.

                     

Artists use colour to express feelings and evoke emotions. The choice of colours can impart a mood to the artwork, from tranquility with cool blues to passion with vibrant reds. If you were to choose for example, four colours to represent four moods, seasons or celebrities what would they be? Or perhaps you could share an artwork that is strongly evocative of mood through a specific colour. Please do share your views it would be lovely to see what we all think.

                          

 

 As an artist I am very aware of how my emotions are expressed through my work. It is the process of making that allows me to express my emotions. The colours that I choose to work with thus impart a mood to the art work that I am working with. I feel that my emotions are expressed through the colours across the surface of the paper, board or canvas though this for me not a conscious controlled expression but rather a freedom to express.

                       

 

-Composition and focus are provided through color contrasts and harmonies, this can guide the viewer's attention to focal points within the artwork or create a balanced composition that engages the viewer.  I generally make sketches to explore a subject, in terms of the elements that are before me focusing on bits that catch my attention. A colour perhaps or a surface or shape that made me think. I then draw and redraw or paint and repaint to “understand” it better. In this way I believe I can begin to develop the composition.

             

 

Tone, which refers to the lightness or darkness of colours, allows artists to create a sense of depth and three-dimensionality on a two-dimensional plane, making the artwork more lifelike or dynamic. 

          

-Atmosphere and mood are also conveyed through the use of light and shadow through varying tones can profoundly affect the atmosphere of the piece, evoking specific times of day or emotional conditions.

 

Texture in the visual arts, the implied texture or the physical texture of materials used (in, say, a painting or a sculpture) can suggest a tactile experience that adds depth and interest. i love experimenting with different materials to add texture. In fact my landscapes through the seasons always begin with a surface texture using found site specific pigments. With some texture to work with and particularly the earth or mud at my feet as I stand in a field looking at the landscape.

           

 

-Texture, whether actual (as in the buildup of paint) or implied (as in a detailed depiction of a rough surface), adds layers of visual interest and can encourage the viewer to imagine the sensation of touch, enhancing engagement with the artwork.

                       

(The lovely bit of sculpture above is near Bristol Templemeads….the echoes of the buildings are fabulous). 

Now lets look at the role of colour, tone and texture from the Viewer's Perspective

Viewers may react emotionally to the colours in an artwork, with individual colours or combinations eliciting certain feelings based on personal experiences, cultural associations, or psychological responses. This may be to some extent prompted by the artist but in reality the personal experiences of the viewer are not in any way known to an artist.

         

Above; Platform Oil on canvas.

Colours can symbolize various concepts or narratives, influencing the viewer’s interpretation of the artwork. The perception of colour is subjective and can significantly alter the meaning derived from an art piece.

 

The use of tone affects how viewers perceive depth and realism within the artwork. Tonal variations can create an illusion of space and volume, making the scene depicted more believable. My own work tends to expression and impression as I seek to yield a sense of the place and time.

               

Viewers can sense the atmosphere of an artwork through its tonal qualities, identifying with the mood set by the artist and experiencing the intended emotional tone, whether it’s serene, ominous, or otherwise.

           

The texture in artwork can pique curiosity and encourage viewers to engage more deeply, wanting to touch or closely examine the piece to understand how the visual effect was achieved.

Texture invites viewers to use their imagination to explore the physicality of the artwork, enhancing the sensory experience of viewing and sometimes creating a personal connection to the work.

         

 

Both from the perspective of the artist and the viewer, colour, tone, and texture function as vital elements that bridge the gap between the conceptual and the perceptual in visual art. They serve as the language through which artists communicate and viewers interpret, allowing for a rich, multi-dimensional dialogue that transcends the visual to involve emotional and tactile experiences.

If you had to surrender the ability to experience colour, tone or texture which would it be and why?

I would like to invite readers to submit their thoughts, images, or experiences about using or interpreting colour, tone, and texture in art. I could compile these into a collaborative blog post, giving credit to the readers contributions. We could develop our own community?

As ever thanks for reading and do get in touch about anything via the website or comments.

artistic process artist’s mind colour creativity emotions landscapes making mood natural working practice

← Older Post Newer Post →


Comment


  • Thank you for an interesting read. I like reddish- brown and blue! Lemon texture appeals to me as it reminds me of Croatia!

    Elena Grieve on

Leave a comment